The Loser (Бернхард Томас); Faber and Faber, 2019

Mid-century Austria. Three aspiring concert pianists – Wertheimer, Glenn Gould, and the narrator – have dedicated their lives to achieving the status of a virtuoso. But one day, two of them overhear Gould playing Bach’s Goldberg Variations, and his incomparable genius instantly destroys them both.

They are forced to abandon their musical ambitions: Wertheimer, over a tortured process of disintegration that sees him becoming obsessed with both writing and his own sister, with whom he has a quasi-incestuous relationship culminating in death; and the narrator, instantly, retreating into obscurity to write a book that he periodically destroys and restarts.

Written as a monologue in one remarkable unbroken paragraph, Thomas Bernhard’s dazzling meditation on failure, genius, and fame is a radical new reading experience: musical, paralysing, raging, and inimitable.

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